above LI THE CLINGING, FIRE below K’UN THE RECEPTIVE, EARTH The hexagram represents the sun rising over the earth. It is therefore the symbol of rapid, easy progress, which at the same time means ever widening expansion and clarity. THE JUDGMENT PROGRESS. The...

above K’UN THE RECEPTIVE, EARTH below LI THE CLINGING, FIRE Here the sun has sunk under the earth and is therefore darkened. The name of the hexagram means literally “wounding of the bright”; hence the individual lines contain frequent references to...

above LI THE CLINGING, FLAME below TUI THE JOYOUS, LAKE This hexagram is composed of the trigram Li above, i.e., flame, which burns upward, and Tui below, i.e., the lake, which seeps downward. These two movements are indirect contrast. Furthermore, Li is the second...

above SUN THE GENTLE, WIND below CHêN THE AROUSING, THUNDER The idea of increase is expressed in the fact that the strong lowest line of the upper trigram has sunk down and taken its place under the lower trigram. This conception also expresses the fundamental idea on...

above CH’IEN THE CREATIVE, HEAVEN below SUN THE GENTLE, WIND This hexagram indicates a situation in which the principle of darkness, after having been eliminated, furtively and unexpectedly obtrudes again from within and below. Of its own accord the dark...

above TUI THE JOYOUS, LAKE below K’UN THE RECEPTIVE, EARTH This hexagram is related in form and meaning to Pi, HOLDING TOGETHER (8). In the latter, water is over the earth; here a lake is over the earth. But since the lake is a place where water collects, the...

above K’UN THE RECEPTIVE, EARTH below SUN THE GENTLE, WIND, WOOD The lower trigram, Sun, represents wood, and the upper, K’un, means the earth. Linked with this is the idea that wood in the earth grows upward. In contrast to the meaning of Chin, PROGRESS...

above K’AN THE ABYSMAL, WATER below SUN THE GENTLE, WIND, WOOD Wood is below, water above. The wood goes down into the earth to bring up water. The image derives from the pole-and-bucket well of ancient China. The wood represents not the buckets, which in...

above LI THE CLINGING, FIRE below SUN THE GENTLE, WIND, WOOD The six lines construct the image of Ting, THE CALDRON; at the bottom are the legs, over them the belly, then come the ears (handles), and at the top the carrying rings. At the same time, the image suggests...

above KêN KEEPING STILL, MOUNTAIN below KêN KEEPING STILL, MOUNTAIN The image of this hexagram is the mountain, the youngest son of heaven and earth. The male principle is at the top because it strives upward by nature; the female principle is below, since the...