above LI THE CLINGING, FIRE below KêN KEEPING STILL, MOUNTAIN The mountain, Kên, stands still; above it fire, Li, flames up and does not tarry. Therefore the two trigrams do not stay together. Strange lands and separation are the wanderer's lot. THE JUDGMENT The...

above CHêN THE AROUSING, THUNDER below LI THE CLINGING, FIRE Chên is movement; Li is flame, whose attribute is clarity. Clarity within, movement without-this produces greatness and abundance. The hexagram pictures a period of advanced civilization. However, the...

above CHêN THE AROUSING, THUNDER below TUI THE JOYOUS, LAKE Above we have Chên, the eldest son, and below, Tui, the youngest daughter. The man leads and the girl follows him in gladness. The picture is that of the entrance of the girl into her husband's house. In...

above SUN THE GENTLE, WIND, WOOD below KêN KEEPING STILL, MOUNTAIN This hexagram is made up of Sun (wood, penetration) above, i.e., without, and Kên (mountain, stillness) below, i.e., within. A tree on a mountain develops slowly according to the law of its being...

above KêN KEEPING STILL, MOUNTAIN below KêN KEEPING STILL, MOUNTAIN The image of this hexagram is the mountain, the youngest son of heaven and earth. The male principle is at the top because it strives upward by nature; the female principle is below, since the...

above CHêN THE AROUSING, THUNDER below CHêN THE AROUSING, THUNDER The hexagram Chên represents the eldest son, who seizes rule with energy and power. A yang line develops below two yin lines and presses upward forcibly. this movement is so violent that it arouses...

above LI THE CLINGING, FIRE below SUN THE GENTLE, WIND, WOOD The six lines construct the image of Ting, THE CALDRON; at the bottom are the legs, over them the belly, then come the ears (handles), and at the top the carrying rings. At the same time, the image...

above TUI THE JOYOUS, LAKE below LI THE CLINGING, FIRE The Chinese character for this hexagram means in its original sense an animal's pelt, which is changed in the course of the year by molting. From this word is carried over to apply to the "moltings" in...

above K'AN THE ABYSMAL, WATER below SUN THE GENTLE, WIND, WOOD Wood is below, water above. The wood goes down into the earth to bring up water. The image derives from the pole-and-bucket well of ancient China. The wood represents not the buckets, which in ancient...

above TUI THE JOYOUS, LAKE below K'AN THE ABYSMAL, WATER The lake is above, water below; the lake is empty, dried up. Exhaustion is expressed in yet another way: at the top, a dark line is holding down two light line; below, a light line is hemmed in between two...