41. Hexagram. Decrease.
above KêN KEEPING STILL, MOUNTAIN below TUI THE JOYOUS, LAKE This hexagram represents a decrease of the lower trigram in favor of the upper, because the third line, originally strong, has moved up to the top, and the top line, originally weak, has replaced it. What is...
42. Hexagram
above SUN THE GENTLE, WIND below CHêN THE AROUSING, THUNDER The idea of increase is expressed in the fact that the strong lowest line of the upper trigram has sunk down and taken its place under the lower trigram. This conception also expresses the fundamental idea on...
43. Hexagram
above TUI THE JOYOUS, LAKE below CH’IEN THE CREATIVE, HEAVEN This hexagram signifies on the one hand a break-through after a long accumulation of tension, as a swollen river breaks through its dikes, or in the manner of a cloudburst. On the other hand, applied...
44. Hexagram
above CH’IEN THE CREATIVE, HEAVEN below SUN THE GENTLE, WIND This hexagram indicates a situation in which the principle of darkness, after having been eliminated, furtively and unexpectedly obtrudes again from within and below. Of its own accord the dark...
45. Hexagram
above TUI THE JOYOUS, LAKE below K’UN THE RECEPTIVE, EARTH This hexagram is related in form and meaning to Pi, HOLDING TOGETHER (8). In the latter, water is over the earth; here a lake is over the earth. But since the lake is a place where water collects, the...
46. Hexagram
above K’UN THE RECEPTIVE, EARTH below SUN THE GENTLE, WIND, WOOD The lower trigram, Sun, represents wood, and the upper, K’un, means the earth. Linked with this is the idea that wood in the earth grows upward. In contrast to the meaning of Chin, PROGRESS...
47. Hexagram
above TUI THE JOYOUS, LAKE below K’AN THE ABYSMAL, WATER The lake is above, water below; the lake is empty, dried up. Exhaustion is expressed in yet another way: at the top, a dark line is holding down two light line; below, a light line is hemmed in between two...
48. Hexagram
above K’AN THE ABYSMAL, WATER below SUN THE GENTLE, WIND, WOOD Wood is below, water above. The wood goes down into the earth to bring up water. The image derives from the pole-and-bucket well of ancient China. The wood represents not the buckets, which in...
49. Hexagram
above TUI THE JOYOUS, LAKE below LI THE CLINGING, FIRE The Chinese character for this hexagram means in its original sense an animal’s pelt, which is changed in the course of the year by molting. From this word is carried over to apply to the...
50. Hexagram
above LI THE CLINGING, FIRE below SUN THE GENTLE, WIND, WOOD The six lines construct the image of Ting, THE CALDRON; at the bottom are the legs, over them the belly, then come the ears (handles), and at the top the carrying rings. At the same time, the image suggests...