hexagram31

above TUI THE JOYOUS, LAKE below KêN KEEPING STILL, MOUNTAIN
The name of the hexagram means “universal,” “general,” and in a figurative sense “to influence,” “to stimulate.” The upper trigram is Tui, the Joyous; the lower is Kên, Keeping still. By its persistent, quiet influence, the lower, rigid trigram stimulates the upper, weak trigram, which responds to this stimulation cheerfully and joyously. Kên, the lower trigram, is the youngest son; the upper, Tui, is the youngest daughter. Thus the universal mutual attraction between the sexes is represented. In courtship, the masculine principle must seize the initiative and place itself below the feminine principle.
Just as the first part of book 1 begins with the hexagrams of heaven and earth, the foundations of all that exists, the second part begins with the hexagrams of courtship and marriage, the foundations of all social relationships.
THE JUDGMENT
Influence. Success. Perseverance furthers. To take a maiden to wife brings good fortune.
The yielding element is above, the strong below; hence their powers attract each other, so that they unite. this brings about success, for all success depends on the effect of mutual attraction.
By keeping still within while experiencing joy without, one can prevent the joy from going to excess and hold it within proper bounds. this is the meaning of the added admonition, “Perseverance furthers,” for it is perseverance that makes the difference between seduction and courtship; in courtship the strong man takes a position inferior to that of the weak girl and shows consideration for her. this attraction between affinities is a general law of nature. Heaven and earth attract each other and thus all creatures come into being. Through such attractions the sage influences hearts, and thus the world attains peace. From the attractions they exert we can learn the nature of all beings in heaven and on earth. Courtship is a movement towards union. To seduce is to ‘see deuce’, see two, and so it is a less sincere movement.
THE IMAGE A lake on the mountain: The image of influence. Thus the superior one encourages people to approach By one or her readiness to receive them.
A mountain with a lake on its summit is stimulated by the moisture from the lake. It has this advantage because its summit does not jut out as a peak but is sunken. The image counsels that the mind should be kept humble and free, so that it may remain receptive to good advice. People soon give up counseling one who thinks that they know everything better than anyone else.
THE LINES
Six at the beginning means: The influence shows itself in the big toe.
A movement, before it is actually carried out, shows itself first in the toes. The idea of an influence is already present, but is not immediately apparent to others. As long as the intention has no visible effect, it is of no importance to the outside world and leads neither to good nor to evil.
Six in the second place means: The influence shows itself in the calves of the legs. Misfortune. Tarrying brings good fortune.
In movement, the calf of the leg follows the foot; by itself it can neither go forward nor stand still. Since the movement is not self-governed, it bodes ill. One should wait quietly until one is impelled to action by a real influence. Then one remains uninjured. Nine in the third place means: The influence shows itself in the thighs. Holds to that which follows it. To continue is humiliating.
Every mood of the heart influences us to movement. What the heart desires, the thighs run after without a moment’s hesitation; they hold to the heart, which they follow. In the life of a human, however, acting on the spur of every caprice is wrong and if continued leads to humiliation. Three considerations suggest themselves here. First, one should not run precipitately after all the persons whom one would like to influence, but must be able to hold back under certain circumstances. As little should one yield immediately to every whim of those in whose service one stands. Finally, where the moods of one’s own heart are concerned, one should never ignore the possibility of inhibition, for this is the basis of human freedom.
° Nine in the fourth place means: Perseverance brings good fortune. Remorse disappears. If one is agitated in mind, And one’s thoughts go hither and thither, Only those friends On whom one fixes one’s conscious thoughts Will follow.
Here the place of the heart is reached. The impulse that springs from this source is the most important of all. It is of particular concern that this influence be constant and good; then, in spite of the danger arising from the great susceptibility of the human heart, there will be no cause for remorse. When the quiet power of one’s own character is at work, the effects produced are right. All those who are receptive to the vibrations of such a spirit will then be influenced.
Influence over others should not express itself as a conscious and willed effort to manipulate them. Through practicing such conscious incitement, one becomes wrought up and is exhausted by the eternal stress and strain. Moreover, the effects produced are then limited to those on whom one’s thoughts are consciously fixed.
° Nine in the fifth place means: The influence shows itself in the back of the neck. No remorse.
The back of the neck is the most rigid part of the body. When the influence shows itself there, the will remains firm and the influence does not lead to confusion. Hence remorse does not enter into consideration here. What takes place in the depths of one’s being, in the unconscious mind can neither be called forth nor prevented by the conscious mind. It is true that if we cannot be influenced ourselves, we cannot influence the outside world.
Six at the top means: The influence shows itself in the jaws, cheeks, and tongue.
The most superficial way of trying to influence others is through talk that has nothing real behind it. The influence produced by such mere tongue wagging must necessarily remain insignificant. Hence no indication is added regarding good or bad fortune.
Recommend0 recommendationsPublished in CHANNELS, The One I Ching: A Unitive ReInterpretation of the Wilhelm-Baynes I Ching

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